
A frenetic drum and cymbal riff establishes the beat, followed by pulsating piano notes and warbling saxophone…
“Ol’ black magic has me in its spell,” he cries, raspy and high-pitched.
“Ol’ black magic that you weave so well,” she joins in, sultry and smooth. Then the Tidewater accent kicks in... “Well, ah should stay away but what can ah do…?”
There they are in a sound clip on youtube.com, Louis Prima and Keely Smith, in a recording that earned a Grammy award 50 years ago and, along with other hits, locked them into the memories of a generation.
Especially those who knew her as Dot Keely, a member of the Maury High class of 1946.
Answering a recent request for memories of old Hampton Roads, Leonard Frieden, a schoolmate of hers, wrote that Prima and his band came to play at the Surf Club at the Oceanfront. At the time, he said, the bandleader was searching for a vocalist because the one he recently hired turned out to have stage fright and quit. It was a Sunday tea dance.
“There were about a dozen or so of us guys and girls sitting at a long table enjoying the tea dance. We started to encourage Dot to go up and ask Louis Prima if she could sing for him since he had no vocalist. She finally mustered up the courage to go to the bandstand and offer to sing. As the old adage goes, the rest is history.”
Smith remembers the meeting differently, saying she was out on the beach and had to borrow a skirt and blouse to wear over her bathing suit when called to audition, but the time and place were the same.
Dorothy Jacqueline Keely, part Cherokee and part Irish, was born in Norfolk in 1928. (Official biographies put the date at 1932, but that would have made her a 14-year-old senior at Maury. She gave the later date in a recent interview.) She began performing at an early age, winning a spot with a local program, “Joe Brown and His Radio Gang.” By 14, she was singing for a Naval Air Station band. A school program for the “Maury Merry Minstrels of 1945” has her belting out a solo, “The Man I Love.” She didn’t have the stylish flip hairdo then, the one she became known for. A yearbook junior photo that same year shows a mop-haired girl sitting with her classmates.
“I always thought I’d grow up and have babies and I’d never leave Norfolk,” she recently told a radio interviewer.But that all changed that Sunday afternoon in Virginia Beach.
When Prima, a wild, high-energy, performer, asked her to audition, she said, “I’m not your kind of singer.” But after she sang “Embraceable You” and “Sleepy Time Gal,” he hired her on the spot and they went on the road together. Eventually, after he divorced his third wife, they married.
At first, Prima and Smith – she changed her name after her mother remarried – had a rough time. They worked the Las Vegas night club scene, belting out songs from midnight to dawn. She did have babies, two daughters, and spent daylight hours raising them.
But their act, with him constantly clowning, and her straight-laced and reserved – began to catch on. They won their Grammy in 1959, the first ever for a vocal group, and had several other hit songs, including “I’ve Got You Under My Skin” and “Bei Mir Bis du Schon.” At their height, they were undisputed king and queen of the Vegas night club scene and were tight with Frank Sinatra, Sammy Davis Jr. and the rest of the “Rat Pack.” They hobnobbed with the Kennedys and she sang at his inauguration.
Smith and Prima split up in 1961. She credits Dinah Shore with helping restart her career. There followed several major albums, including the Grammy-nominated “Keely Sings Sinatra.” She’s still making appearances, most notably last year when she sang “That Old Black Magic” with Kid Rock at the Grammy Awards.
OK, now, all together:
…”In a spin, lovin’ that spin that ah’m in…”
Photos:
From the CD Keely Smith, The Essential Capitol Collection
The Maury High School 1945 yearbook shows Dot Keely, center, with other home room juniors.


